I was reading A.S. Byatt’s Babel Tower this afternoon, when my eyes got tangled in a description of a class studying Howards End and Women in Love:
These grown up human beings speak wisely and foolishly of other human beings: Margaret and Ursula, Forster and Lawrence, Birkin and Mr. Wilcox, as though they were (as they are) people they know (and don’t know). They know perfectly well, if reminded, that four of these six beings are actually made of words, are capering word puppets, not flesh and blood.
This passage made me realize, abruptly, that to the individual there is no difference between a character in a work of literature and a real human being whom he has never met. There are numerous people–friends of friends, great-grandparents dead before my birth, authors and artists and intellectuals whose works are their only public presence, famous historical figures, etc.–whom I know only by description. In my understanding they, too, are nothing but linguistic constructions, “capering word puppets” less developed, probably, than the meticulously woven characters of my favorite authors.
Our willingness and effortless ability to treat these language-sketches as real people whether we may someday encounter them as such (a friend’s boyfriend or J.K. Rowling) or not (George Eliot or Julius Caesar) suggests that literature is as valid a forum for the study of human nature as history or current events. This is, of course, a position that I tend not to dispute, although there are certainly people who set up fiction in opposition to “real life.” They may scorn the study of “nonsense,” but fiction, I think, is often as real to the individual as “real life” itself, sometimes more-so.
I need to think more about this–the fusion or distinction of the real and the fictional–and whether it is at all important, where the boundaries lie, and what lies inside those boundaries (King Arthur, Robin Hood, Jesus–man? myth? inseparable fusion of the two? (manth?)). Anyway, it interests me, and it is a pleasure to think once in awhile.